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AT THE BEACH or AFTER SWIMMING (in-text plate, folio 19) from ÉLOGE DE JACQUES VILLON
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AT THE BEGINNING IS THE END (plate, folio 38) from CAROLINE
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At the Best Western Motel, Americus, Georgia
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AT THE BOTTOM OF THE BAY (plate; volume II, page 151) from LES GÉORGIQUES (GEORGICA)
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At the Café (Im Café)
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AT THE CHURCH, plate LXXXII (facing page 294) from LES ÂMES MORTES
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AT THE CHURCH, plate LXXXII (supplementary suite) from LES ÂMES MORTES
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At the Cinema (Au cinéma) (plate, preceding page 127) from Tableaux de Paris
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At the Circus Medrano (Im Zirkus Medrano)
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At the Cirque Medrano (Im Zirkus Medrano)
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At the Concert Européen (Au Concert Européen)
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At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)
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At the Dancehall (Au bal) (plate, preceding page 241) from Tableaux de Paris
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AT THE EDGE OF THE VERRIÈRES WOODS (plate; volume I, page 25) from LES GÉORGIQUES (GEORGICA)
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At the Elbe (An der Elbe) (plate, folio 21 verso) from the periodical Der Bildermann, vol. 1, no. 10 (Aug 1916)
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At the Entrance to the Promenades, Where the Trees Intertwine in a Bony Maze of Branches, Smooth and Gaunt, the Specter Is Outlined (A l’entrée des allées, où les arbres entrelacent le dédale ostéologique des branches, glabre et décharné, se dessine le spectre) (plate) from Le Juré
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